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Italian professional model Céline wears her plaster Shoulder Spica in this intense set where she acts with her arm and torso completely immobilized in sexy indoor and elegant outdoor scenes.
Céline wakes up in bed, with her torso and arm completely in a cast and her hand immobilized in front of her breast, with her swollen and stiff fingers peeking out from under the cast. In this severe condition she gets up and faces her morning routine, taking care of her cat, brushing her very long hair and cleaning the house despite the difficulty given by the cast.
The most sensual part of this set, with Céline who with slow and feminine movements massages and caresses her body spreading the moisturizing cream on all the parts left free by her heavy Shoulder Spica. She is totally naked, covered only by the cast and her long blond hair, but being a shy girl she will let you only imagine the most secret parts of her body, playing for a long time with situations of see-through made extreme by the immobilization of the cast.
Céline is now struggling with the difficulties that her Shoulder Spica presents to her in getting dressed. In her underwear and with her torso and arm completely in a cast, she tries to put on a one-piece women's dress, having to surrender to the difficulty. She then decides to leave her cast exposed and go out wearing only pants. With only her free hand, she puts on a pair of extremely short denim shorts, then chooses a pair of tight jeans that highlight the shape of her legs and hips.
Céline mixes sensuality and sweetness by decorating her huge cast while she sits completely naked on the sofa. You will see her writing and coloring on all parts of her cast, highlighting the rigidity of her torso and the complete immobilization of her arm that contrast with the total nakedness of her legs. As a shy girl there is no vulgarity in her nudity, almost like a plaster doll.
Céline appears in a motorsport style outfit, with a leather jacket that leaves a good part of her huge and restrictive Shoulder Spica exposed, in which her torso is immobilized, and a very short denim skirt combined with high-heeled pumps. With this sexy outfit she presents you in depth a vintage American muscle car. Your eyes will surely be captured by the fingers of her hand in a cast, which contrast with the lightness and mobility of her healthy hand that describes the car with broad gestures.
Céline is dressed in jeans and a black poncho that shows the cast of her Shoulder Spica arm straight in front of her breasts. She walks through the streets of the center of Florence among the shops, oblivious to the curious glances of the people towards her cast. You will also have the chance to spy on her in voyeur style while she is shopping in a shop and the saleswoman asks her about her arm and injury.
Céline walks in the evening in a shopping mall with a short skirt that highlights her long legs veiled by tights, her casted arm fixed in front of her immobilized torso strongly contrasts with her fast step. She strolls among the people in front of the shops attracting the glances of passers-by who also stop to ask her about her cast. Finally you will see her sitting in a bar for a drink, where you will have the chance to get close to her hand that sticks out from the cast.
Erotic content included
You will get 316 HQ Pictures
Femininity and sensuality of a woman wearing comfortably a plaster cast rise from aesthetical components both visible and psichologique generating an attractive contrast game.
Visible contrast between plaster's rigidity and woman's dynamism and psichological contrast between sweetness generated by a woman in a plaster cast and determination emanated by her when she uses the plaster cast as a "seduction weapon to attract sights", creates a set of "see-not see" and "would like - but cannot" effects which emanates a sofisticated and minded erotism.
Moreover plaster's weight enfasizes littlest parts of female body, as fingers and toes appearing as framed by the cast.
Femininity and sensuality don't deal with the injury beside the plaster cast, but with the plaster cast's look itself.
From this idea rises the "role-castering" as a "couple game" in which a woman wears a false plaster cast for some hours just for hers and her partner's aesthetical and sensorial pleasure.
All the models in our services are adults and made aware of the methods and purposes of the work. The casts are made for work purposes or are present on the models due to injuries prior to the collaboration. Glamourgesso categorically refuses and collaborates in reporting improper uses of cast-fetish such as incitement to violence or self-harm.