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Italian professional model Diana wears her thick Plaster Long Leg Cast after breaking her tibia in a ski fall, in this story including highly erotic solo and lesbian scenes with her friend Svitlana as well as long outdoor activities in the crowd.
Diana recently broke her leg in a skiing fall, resulting in a fractured left tibia. Her toes and groin still covered in plaster, and hospital gauze covering the fresh cast, she lies on the bed in pain, while her friend Svitlana tries to comfort her. Svitlana carefully cleans Diana's toes and groin, with a mix of sweetness and mischief that soon transforms Diana's pain into pleasure, which becomes evident when Diana spreads her legs, revealing her shaved pussy completely naked and wet. Svitlana also expertly massages Diana's swollen toes before leaving her alone to rest. Once alone, Diana gives in to pleasure, passionately masturbating in front of your eyes, reaching orgasm in the extreme contrast between her completely immobile broken leg and the rest of her body moaning and writhing with pleasure.
Five days after the fall, Diana receives another visit from her intimate friend Svitlana, this time fiery in a sexy black lace babydoll. Svitlana begins a slow and sensual massage of Diana's broken foot toes, offering you extreme and erotic close-ups. Soon, Svitlana moves on to Diana's groin and then her entire body, remaining seated astride her poor injured friend's cast. This time, it's Svitlana who gives in to pleasure. Excited by caring for her injured friend, she rides Diana's immobile broken leg with increasing force, rubbing her pussy forcefully against the rough cast until she reaches wet orgasm.
Ten days after breaking her leg, Diana leaves home for the first time, aided by her close friend Svitlana, who pushes her for long periods in her wheelchair, often caring for her friend's painful foot. Diana remains stationary in her wheelchair, wearing a short skirt that leaves her broken leg in a cast completely visible, almost brazenly displayed straight in front of her on the wheelchair's support, held high to prevent swelling. The two friends walk a long stretch of busy road, enjoying the sun on a cold day that creates alternating sensations of heat and cold on Diana's broken foot. For this reason, Svitlana must often stop to massage Diana's injured toes with her gentle hands, warming them with her hands and her warm breath, before covering them with a heavy wool sock.
Twenty days after her accident, Diana is out again with her friend Svitlana, spending a cold, rainy day at the mall. Svitlana pushes her poor, injured friend in her wheelchair for a long time, while Diana appears in pain and discomfort, her cast leg stretched out in front of her on the wheelchair's supports, her toes covered by a conspicuous, warm sock. You'll see the gazes and attention of passersby focused on Diana's casted leg during the long minutes they spend wandering through the shop windows before reaching a fast food restaurant. Here, from the perspective of a neighbor at a table, you'll see the two friends ordering and then enjoying their meal, with Diana's broken foot, finally free from the sock, casually displayed next to the table.
Twenty-five days after breaking her leg, Diana visits a shoe store to find a pair that will allow her to remain feminine even with her casted leg. You will see her crutching casually through the aisles of the store, attracting the gaze of passersby, her toes covered by a green sock that stands out against the white cast. Then Diana tries on several pairs of shoes before your eyes on her good foot, giving you close-ups of the cast and demonstrating her look and the varying degrees of difficulty she faces in crutching with different types of shoes. Finally, you'll admire her naturalness as she heads toward the exit, amidst the other customers, her heavy casted leg swaying with each crutching step.
Thirty days after her injury, Diana is in bed wearing a top that accentuates her big breasts and black panties contrasting with the enormous white cast immobilizing her broken leg. She must make her way down the stairs to the kitchen. You see her terribly struggles descending the steps, leaning on her ass and bracing herself with her wrists. Once she reaches the lower floor, Diana crutched to the kitchen to prepare a herbal tea, showing you her round ass subframed by the cast. She then arouses you with erotic close-ups of her scratching the itch inside the cast with a wooden spoon and massaging her groin, which is sore from the edge of the cast rubbing against her skin. Then, poor Diana has to climb back up the stairs to her bedroom, and she'll do so while you admire her from right under her cast, almost as if you were holding her toes in your mouth.
Hard Erotic content included
You will get 667 HQ Pictures
Femininity and sensuality of a woman wearing comfortably a plaster cast rise from aesthetical components both visible and psichologique generating an attractive contrast game.
Visible contrast between plaster's rigidity and woman's dynamism and psichological contrast between sweetness generated by a woman in a plaster cast and determination emanated by her when she uses the plaster cast as a "seduction weapon to attract sights", creates a set of "see-not see" and "would like - but cannot" effects which emanates a sofisticated and minded erotism.
Moreover plaster's weight enfasizes littlest parts of female body, as fingers and toes appearing as framed by the cast.
Femininity and sensuality don't deal with the injury beside the plaster cast, but with the plaster cast's look itself.
From this idea rises the "role-castering" as a "couple game" in which a woman wears a false plaster cast for some hours just for hers and her partner's aesthetical and sensorial pleasure.
All the models in our services are adults and made aware of the methods and purposes of the work. The casts are made for work purposes or are present on the models due to injuries prior to the collaboration. Glamourgesso categorically refuses and collaborates in reporting improper uses of cast-fetish such as incitement to violence or self-harm.