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Russian professional model Polina wears her huge plaster Long Leg Cast in this hot summer story, mixing sexy indoor activities in underwear with voyeur style outdoor scenes where people’s sights are all focused on her sporty broken leg.
You will find Polina in bed waking up in a white T-shirt and black panties, with her leg completely encased in a heavy Long Leg Cast. She complains of pain and discomfort inside the cast and tells you that she has fractured her tibia falling on the stairs. Then she will excite you with her groin while she cleans of plaster dust. Finally she struggles to crutch towards the kitchen.
Then you will follow Polina on her difficult trip with crutches towards the kitchen on the slippery floor, while she scuttles in front of your eyes balancing on crutches. Once in the kitchen she will have a coffee giving you the possibility to admire her sporty body and her completely casted leg. There's still time to follow her in the bathroom, where you'll spy on her making-up right from behind her B-side and casted thigh.
12 days after breaking her leg Polina welcomes you into her room dressed only in a sexy black lace bodysuit. She wants to try wearing socks and nylons on the good leg and the leg in cast. You will enjoy beautiful close-ups on her leg and feet. Polina will delight you by massaging her B-side and groin, right above where her very heavy cast ends.
For Polina it's time to go out in a wheelchair through the streets of her town despite her broken leg. She pushes herself with her casted leg straight out in front of her on the chair supports, so you can see the undersides of her broken leg toes. All passers-by watch her and you will spy on her as she enters a bar for a coffee. You will also admire how she takes a rest break by massaging her feet.
Polina, as a good housewife, wants everything in order despite the serious fracture in her leg. Wearing athletic shorts that reveal all of her large cast, Polina cleans and checks supplies in the kitchen. She realizes that she has to go shopping at the supermarket and calls her friend Svitlana to take her by car. The stairs she has to descend to leave the house give her the chance to show you her skills on crutches.
Polina leaves the house, showing off her sporty crop with red shorts and white blouse, and with difficulties reaches on crutches Svitlana's car. Then in the car Polina tells all her feelings about her life in plaster. Once they reach the parking you will see Polina crutching with difficulties to the supermarket, struggling a lot due to the heaviness of the cast and risking burning her toes on the hot asphalt.
40 days after the fall Polina can move with only one crutch and her cast is now very written and ruined. She is in white underwear and she’s preparing for a date. You will see her trying on 3 feminine dresses and 3 pairs of high heels, with incredible close-ups on the good foot and on the toes of the broken foot sticking out from the cast.
Erotic content included
You will get 79 minutes HQ video
Femininity and sensuality of a woman wearing comfortably a plaster cast rise from aesthetical components both visible and psichologique generating an attractive contrast game.
Visible contrast between plaster's rigidity and woman's dynamism and psichological contrast between sweetness generated by a woman in a plaster cast and determination emanated by her when she uses the plaster cast as a "seduction weapon to attract sights", creates a set of "see-not see" and "would like - but cannot" effects which emanates a sofisticated and minded erotism.
Moreover plaster's weight enfasizes littlest parts of female body, as fingers and toes appearing as framed by the cast.
Femininity and sensuality don't deal with the injury beside the plaster cast, but with the plaster cast's look itself.
From this idea rises the "role-castering" as a "couple game" in which a woman wears a false plaster cast for some hours just for hers and her partner's aesthetical and sensorial pleasure.
All the models in our services are adults and made aware of the methods and purposes of the work. The casts are made for work purposes or are present on the models due to injuries prior to the collaboration. Glamourgesso categorically refuses and collaborates in reporting improper uses of cast-fetish such as incitement to violence or self-harm.