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Italian professional model Sara wears her extremely combination of Dual Long Arm Thumb Spicas in this hot set, starting with an attack by a thief which leaves her with both wrists broken.
Sara is reading a book dressed in sexy black underwear that shows off her fit body. Suddenly a thief enters the house and hits her, breaking her wrists. Sara remains on the ground in shock and pain, unable to move her hands. Next day she is facing great difficulty in opening the house gate with the keys with both arms in cast and her neck locked in an orthopedic collar.
Sara returns to the house, with her broken arms completely immobilized and tied to her neck, which is also injured and locked in the collar. She complains of the discomfort she will have to endure for 45 days. She shows you that her thumbs in casts make it impossible for her to do everything. After all she wants to undress and you will see her in great difficulty trying for a long time to take off her trousers with her broken hands.
Next morning Sara wakes up in bed with her broken arms resting on pillows. You will follow her, staring her sexy body in black underwear, as she begins to become familiar with the mobility of her casted hands and, with extreme difficulty, manages to brush her teeth and prepare breakfast. The slow movements forced by immobility will allow you to enjoy detailed close-ups of Sara's poor hands and fingers.
For Sara it's now time to eat breakfast, despite her broken arms and injured neck. In this severe condition the only thing he can fully use is her mouth, without moving her neck. Still in her black underwear you will see her open the snack using the little mobility of her fingers, and then eat it holding it straight between her legs. In the same way you will stare her using her lips to drink her herbal tea.
One week later you find Sara in the garden in her underwear showing you how she has to use her lips and mouth skills to smoke her electronic cigarette. Then you will follow her during a long walk in the city center, dressed in a tight dress that enhances the shape of her body: the mobility of her legs contrasts enormously with the immobilization of her injured arms and neck. Finally you will have the opportunity to see her casts and hands up close while sitting on the steps she calls her friend Svitlana to meet.
Sara meets her friend Svitlana and together they walk through the streets of the city center. Sara moves with the collar and the two heavy casts tied around her neck. Together they reach a pizza place for lunch. Completely prevented from eating alone, Sara has to get total help from Svitlana who takes care of her by feeding her.
On a beautiful sunny day Sara and Svitlana spend time together in the garden eating and drinking. They are both wear their highest heels. Sara still has broken wrists and is still in a cast, but her neck is now free from the collar. She is able to be more independent in eating and drinking, but she still likes to get help from her friend. Then the two girls decide to write and decorate the casts and take pictures.
Sara is at the mirror in black underwear observing the writings on her casts which are starting to look very worn. Svitlana rings the doorbell and Sara runs to open it and unfortunately slips. Groaning in pain she manages to reach the door by crawling on the ground while you see her b-side up close. Svitlana gently takes care of her leg, bandaging her ankle. Next day Sara is ready to go to the hospital to remove the arm casts. She tells you about her sensations during 45 days in a cast, and that her ankle still hurts despite the bandage. Svitlana arrives and checks her ankle which is swollen and dark.
Erotic content included.
You will get 421 HQ Pictures.
Femininity and sensuality of a woman wearing comfortably a plaster cast rise from aesthetical components both visible and psichologique generating an attractive contrast game.
Visible contrast between plaster's rigidity and woman's dynamism and psichological contrast between sweetness generated by a woman in a plaster cast and determination emanated by her when she uses the plaster cast as a "seduction weapon to attract sights", creates a set of "see-not see" and "would like - but cannot" effects which emanates a sofisticated and minded erotism.
Moreover plaster's weight enfasizes littlest parts of female body, as fingers and toes appearing as framed by the cast.
Femininity and sensuality don't deal with the injury beside the plaster cast, but with the plaster cast's look itself.
From this idea rises the "role-castering" as a "couple game" in which a woman wears a false plaster cast for some hours just for hers and her partner's aesthetical and sensorial pleasure.
All the models in our services are adults and made aware of the methods and purposes of the work. The casts are made for work purposes or are present on the models due to injuries prior to the collaboration. Glamourgesso categorically refuses and collaborates in reporting improper uses of cast-fetish such as incitement to violence or self-harm.