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Italian professional model Sara wears her extremely restrictive red Long Leg Cast after her dramatic fall right before going to remove her Dual Long Arm Cast. A second cast for Sara who never wore casts before in her life.
Sara is at the mirror in black underwear observing the writings on her DLATS. Svitlana rings the doorbell and Sara runs to open but slips and hardly falls down. Groaning in pain she however manages to reach the door. Svitlana gently takes care of her leg, bandaging her ankle. Next day Sara is ready to go to the hospital to remove the arm casts and check her ankle which still hurts and became swollen and bruisy. After a couple of hours Sara exits the hospital without her DLATS but with a brand new huge red LLC and crutches. She tells Svitlana what happened to her poor ankle, her diagnosis and prognosis. You will enjoy staring at Sara’s long walk on crutches, full of difficolties as her wrists are still fragile and delicate.
Sara gets back home with her leg freshly casted in the huge red LLC, accompanied by her friend Svitlana. Once at home Sara can’t wait to undress and go to the bed as her ankle hurts very much. Svitlana takes care of her, helping to take off the clothes revealing Sara’s tonic body and escorting her in the hard tack of climbing the stairs. Finally you will be excited by estreme close-ups on poor Sara’s swollen toes while Svitlana softly cleans them.
Three days after the accident you find Sara on the sofa, sexy dressed in black panties and top, trying to get used to the new situation. A close look on her toes reveals how difficult and painful it is for she to move them. Despite the uncomfortness and restriction given by the huge red LLC Sara gets dressed, and hardly struggles in front of your eyes to go down the stairs. Then she relaxes preparing a coffee, and gives you another involving intimate experience cleaning her toes carefully just in front of your eyes.
Twenty days after her accident Sara become very confident with her LLC and crutches so decides to go out with her friend Svitlana. You find the two ladies in the fast food restaurant, where Sara’s red cast is notices by all the passer-by revealing no embarrassment at being observed. After saying goodbye to Svitlana Sara takes a walk alone, with her crutches giving you a perfect view on how she learned to use the crutches.
Continuing her walk on crutches Sara decides that it’s time to decorate her huge cast. She chooses a bench in a crowded place and starts to draw on her cast under everybody’s sights. Talking at the telephone with her friend, she gets a lot of ideas to give a personal touch to her red LLC.
Sara and her friend Svitlana are celebrating the end of Sara’s period in cast. As it’s cold outside Sara has covered the toes of her broken leg with a big warm sock. Sara will tell all her sensations and experiences with her beloved red LLC.
It’s the last Sara’s evening with her red LLC as later she ha sto go to the hospital to get it removed. Dressed only in black underwear Sara gives her body a cuddle with a fragranced body cream. She will share with you her sensations inside the cast and will give a lot of close ups on her body. It’s time to get dressed and go to the hospital and Sara will take you by her side during all the process. You will see Sara come back from the hospital and she will show your her bare legs free from the cast.
Erotic content included.
English subtitles included.
You will get 119 minutes HQ Video

Femininity and sensuality of a woman wearing comfortably a plaster cast rise from aesthetical components both visible and psichologique generating an attractive contrast game.
Visible contrast between plaster's rigidity and woman's dynamism and psichological contrast between sweetness generated by a woman in a plaster cast and determination emanated by her when she uses the plaster cast as a "seduction weapon to attract sights", creates a set of "see-not see" and "would like - but cannot" effects which emanates a sofisticated and minded erotism.
Moreover plaster's weight enfasizes littlest parts of female body, as fingers and toes appearing as framed by the cast.
Femininity and sensuality don't deal with the injury beside the plaster cast, but with the plaster cast's look itself.
From this idea rises the "role-castering" as a "couple game" in which a woman wears a false plaster cast for some hours just for hers and her partner's aesthetical and sensorial pleasure.
All the models in our services are adults and made aware of the methods and purposes of the work. The casts are made for work purposes or are present on the models due to injuries prior to the collaboration. Glamourgesso categorically refuses and collaborates in reporting improper uses of cast-fetish such as incitement to violence or self-harm.