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Italian professional model Sara wears her extremely restrictive red Long Leg Cast after her dramatic fall right before going to remove her Dual Long Arm Cast. A second cast for Sara who never wore casts before in her life.
Sara is at the mirror in black underwear observing the writings on her DLATS. Svitlana rings the doorbell and Sara runs to open but slips and hardly falls down. Groaning in pain she however manages to reach the door. Svitlana gently takes care of her leg, bandaging her ankle. Next day Sara is ready to go to the hospital to remove the arm casts and check her ankle which still hurts and became swollen and bruisy. After a couple of hours Sara exits the hospital without her DLATS but with a brand new huge red LLC and crutches. She tells Svitlana what happened to her poor ankle, her diagnosis and prognosis. You will enjoy staring at Sara’s long walk on crutches, full of difficulties as her wrists are still fragile and delicate.
English subtitles included.
You will get 23 minutes HQ Video




Femininity and sensuality of a woman wearing comfortably a plaster cast rise from aesthetical components both visible and psichologique generating an attractive contrast game.
Visible contrast between plaster's rigidity and woman's dynamism and psichological contrast between sweetness generated by a woman in a plaster cast and determination emanated by her when she uses the plaster cast as a "seduction weapon to attract sights", creates a set of "see-not see" and "would like - but cannot" effects which emanates a sofisticated and minded erotism.
Moreover plaster's weight enfasizes littlest parts of female body, as fingers and toes appearing as framed by the cast.
Femininity and sensuality don't deal with the injury beside the plaster cast, but with the plaster cast's look itself.
From this idea rises the "role-castering" as a "couple game" in which a woman wears a false plaster cast for some hours just for hers and her partner's aesthetical and sensorial pleasure.
All the models in our services are adults and made aware of the methods and purposes of the work. The casts are made for work purposes or are present on the models due to injuries prior to the collaboration. Glamourgesso categorically refuses and collaborates in reporting improper uses of cast-fetish such as incitement to violence or self-harm.