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Italian professional model Yesmin wears her classic style Velpeau cast in this elegant story where she acts with her torso and arm fully encased into the plaster and almost always without any clothes over it, both indoor and exhibitionistically outdoor.
You find Yesmin lying in bed, under a blanket that reveals her immobilized torso and her left hand barely coming out of the cast, immobilized right above her breast. Soon she shows you her Velpeau Cast that covers her entire torso, leaving her legs and toned butt exposed. She recently fractured her humerus and collarbone while snowboarding. Then you will see her extremely struggling as she tries to get up and move on the bed, risking rolling, to clean her abdomen, breasts and hand from traces of fresh plaster.
1 week after her fall Yesmin is at home, dressed in a simple white bodysuit that sensually wraps her casted torso, highlighting the severe uncomfortable position in which she is immobilized. She prepares breakfast alone with great difficulty, especially when she has to open jars and needs both hand. Finally, you will sit next to her admiring her plaster statue look while she savors her breakfast and tells you about her sensations and difficulties in the plaster cast.
Yesmin continues her breakfast with you, sensually spreading and tasting the slices of bread and strongly highlighting the contrast between the mobility of her hand compared to her immobile torso and the poor hand coming out of the cast. Still telling you about her sensations, she gets up to clean the table and tidy up the room, once again having to fight against the obstacle created by the Velpeau Cast.
2 weeks after her injury you find Yesmin in the crowd of a market. She is dressed in tight black leggings and a tight sweater that wraps around her cast, revealing the shape of her fingers just above her breasts. Regardless of the gazes of the people who look at her curiously, she walks for a long time among the market giving you the opportunity to admire her feminine step.
Yesmin suffers from the heat inside her plastered torso and decides to take off her sweater and keep her free arm bare. With this look she continues her tour of the market and you will spy on her in voyeur style as she walks casually among the crowds and interacts with those who wish her a speedy recovery from her injury.
3 weeks after breaking her humerus and collarbone Yesmin is at the market again, her cast is now old and written, and completely visible because she is only wearing an elegant black skirt and tights. You will see her sit at a bar for a coffee and then buy a t-shirt, overcoming the difficulties of having only one usable hand.
Then, starting to feel cold, Yesmin decides to wear the t-shirt she just bought, putting it on with great difficulty over her huge cast among people. With the cast partially covered by the t-shirt, and with the shapes of the fingers elegantly visible under the t-shirt she continues her tour of the market, finally sitting down again at a bar for a coffee.
4 weeks after her snowboarding fall Yesmin walks around the city in high heels and wearing a tight short dress that hugs her body and her torso in a Velpeau cast. With this look that strongly attracts the attention of passers-by, she sits down at a music bar in the central square for an aperitif in an exhibitionist way. Here she meets her friend and tells her feelings about being in a cast, showing you up close, the details of her cast and the extreme immobilization she is forced into.
5 weeks after the injury Yesmin is sitting on the armchair dressed in leather leggings and her huge cast half covered by a top. In great discomfort and itching all over her plastered torso and arm, she calls a friend to confide about her desperation, while she tries in every way to massage her plastered shoulder and slip her fingers under the cast to relieve the itching.
Erotic content included
You will get 462 HQ Pictures
Femininity and sensuality of a woman wearing comfortably a plaster cast rise from aesthetical components both visible and psichologique generating an attractive contrast game.
Visible contrast between plaster's rigidity and woman's dynamism and psichological contrast between sweetness generated by a woman in a plaster cast and determination emanated by her when she uses the plaster cast as a "seduction weapon to attract sights", creates a set of "see-not see" and "would like - but cannot" effects which emanates a sofisticated and minded erotism.
Moreover plaster's weight enfasizes littlest parts of female body, as fingers and toes appearing as framed by the cast.
Femininity and sensuality don't deal with the injury beside the plaster cast, but with the plaster cast's look itself.
From this idea rises the "role-castering" as a "couple game" in which a woman wears a false plaster cast for some hours just for hers and her partner's aesthetical and sensorial pleasure.
All the models in our services are adults and made aware of the methods and purposes of the work. The casts are made for work purposes or are present on the models due to injuries prior to the collaboration. Glamourgesso categorically refuses and collaborates in reporting improper uses of cast-fetish such as incitement to violence or self-harm.